

About the sequence.
This is where the text begins that Jacob von Melle wrote down in 1701. We'll probably never learn, what excuses the Carthusian had for not participating in the dance, but apparently they weren't good enough.
There's a big confusion concerning the order of the verses. The picture (which is a copy from 1701) shows the next 4 persons as Carthusian (monk), mayor, canon and nobleman - and this is the order, in which Jacob von Melle wrote them down.
The first one to point out the problem was probably Karl Russwurm in 1838. Later on, Wilhelm Mantels elaborated: The nobleman is the one who has lived most against the overall moral - having exploited his hardworking subjects in order to obtain money for idle pleasures, and yet Death answers: "Great wages shall you receive. For your work that you have done, God will reward you thousandfold".
Mantels has compared the text with the books based on the painting, and deduced that the order should rather be Carthusian, nobleman, canon and mayor. This solution is universally accepted and is being applied on these pages.
How could this happen? Mantels suggested that the original from 1463 might have been painted on wooden panels that might have been mixed up when the work was copied in 1701.
This theory was false - and unfortunately this false "fact" has been quoted in countless books. Today we know that the painting from 1463 was made on canvas - Mantels himself had an opportunity to feel the old fabric underneath the "new" painting.
So we see that the change was deliberately made when the painting was replaced in 1701. The new theory goes like this:
[THEORY ON]
In the old painting (from 1463) the nobleman came before the mayor, so that all
the lay people up to and including the nobleman were nobility (living outside Lübeck)
while the rest of the lay people, starting with the mayor, were citizens of Lübeck.
In 1701
the powerful plutocrats in the free city of Lübeck regarded
themselves as noblemen and their leader, the mayor,
would have higher priority than an ordinary nobleman.
As a consequence the mayor and the nobleman were exchanged on the new painting.
When Jacob von Melle published his notes, he was so influenced by the new painting
(which was now 12 years old) that he
rearranged his notes to follow the same new sequence.
[THEORY OFF]
This theory is debated further on the page about Jacob von Melle. To sum up: The painting, the High German text and von Melle's text has Carthusian, mayor, canon and nobleman. The text on these pages has Carthusian, nobleman, canon and mayor.

Footnotes: (1) (2) (3) (4) (5)
External link: King James Bible: The first epistle of Paul the Apostle to the Corinthians, Chapter 3
At any rate it's too bad that it had to happen here where the verses are in a wrong order.