![]() |
![]() |
Here we get one of the best views of Lübeck City in the year 1463. The angle is from the east, and the church on the left of Death is the Church of Mary, that is, the very church in which the painting was hanging.
The church between Death and the nobleman is the Jakobi Kirche (St. James' Church). It can be recognized by the balls at the bottom of the spire, but this is a bit hard to see in Suhl's engravings, so I'll refer to Milde's lithographs instead.
The nobleman is depicted with a hunting falcon in his hand. The nobleman always has one of those in the dances of death.
One may well wonder what the nobleman is doing at this place in the dance, now that we are among the citizens of Lübeck, because there didn't live any noblemen inside Lübeck, which was a free imperial city of the Holy Roman Empire. The remnants of the old Low German text from 1463 show that the order of nobleman and mayor was changed, when the painting was replaced in 1701. Presumably, the wealthy citizens of Lübeck believed that their leader, the mayor, was more powerful than an ordinary nobleman.
See the pages about Jacob von Melle and Wilhelm Mantels for details.
Ludewig Suhl | Translation |
---|---|
der Tod |
Death |
der Edelmann |
The Nobleman |
Thomas Nugent | |
---|---|
XXVI. Death to the Nobleman. |
XXVII. The Nobleman's answer. |