This is a comparison of various editions of La Vie de l'Homme. Two of the editions have two complete cycles. The left column shows text and images in the sequence I have chosen:
| Images and text in my sequence | Mermet | Méray | Upenn | Poitiers | Romania | UCM | Rennes | |||
|---|---|---|---|---|---|---|---|---|---|---|
| CR 49 | BR 87 | |||||||||
| #1 | #2 | #1 | #2 | |||||||
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1.
Eve et Adam, puis leur création, |
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2.
Leur fils Caïn me fit premier hommage, |
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3.
Ainsi donc en ma possession mise, |
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4.
Dessus ce bœuf, qui s'en va pas à pas, |
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5.
Age souvent qui est vieil et caduque, |
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6.
Dieu plusieurs fois, en vengeance cruelle, |
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7.
Par famine, fait les autres détruire |
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8.
Mortalité, ma bonne chambrière, |
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9.
Par le moyen de ces trois dures verges, |
#14 | |||||||||
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9½.
Ie ay maladie ma loyalle seruante |
#10½ | |||||||||
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10.
J'ai d'autre part, qui jamais ne sommeille, |
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11.
Puis ces brigands larrons, meurtriers, iniques, |
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12.
Car justice, qui souvent m'anticipe, |
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13.
Et mes exploits nullement ne restreins |
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14.
Les fortunés et les mondains heureux, |
#9 | |||||||||
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15.
Je fais tarir à coup beauté mondaine: |
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16.
Ces corps bien faits, ces féminins visages, |
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17.
Devant aussi mes douloureux assauts |
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18.
Je fais aux bons leurs chemins et passages; |
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19.
Tout homme est né pour mourir une fois; |
#20 | #20 | ||||||||
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20.
Sa, ménestriers, sans vous tenir arrière, |
#19 | #19 | ||||||||
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21.
Aucun pays est puni par famine. |
(repeats verse 9: "Par le moyen […]") |
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| 22. (This verse is a repeat of #5). | ||||||||||
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23.
Devant aussi mes douloureux assauts, |
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24. Je suis la Mort que maine tout a fin. Je n'ay parent frere ne amy ne affin. Que je ne face tost rediger en pouldre, Et suis de Dieu a ce commis, a fin. Que nul ne soit tant soit rusé ou fin. Que ne me doubte autant que tonnirre fouldre. |
#1 | #1 | #1 | |||||||
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25. O vous humains qui voyez cette dance, De bien dancer ayez en souvenance. Au jugement examinés serez De vostre juge, qui est cy en présence: Se bien dansez vous aurez récompense, Se dansez mal, bien cher l'achèterez. |
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Verses #5 and #22 are the same. Verse 23 is special in that it only has 5 lines, and it is in fact the first half of verse 23 of La dance aux Aveugles.
See the main page for a closer description of the sources and links.
In Mermet's text, verse #21 is the same as #9.
Méray leaves out verses #1-3, #18 and #21-23, but he is the only one to leave out verses #1-3 and #18,
so maybe he just chose to skip them?
In general the text more or less comes in the same sequence, to the extent that each verse is included. In contrast, I have given up on keeping track of the choice of images because they vary too much, even in those cases where you would think the correlation between image and text was clear.
For instance Poitiers' BR 87 has two very short sequences in the beginning, and in both of them the poem with Death on a bull (»Dessus ce beuf«) is illustrated with the image of a woman. Another example is that in the copies in Rennes and Romania, verse #2 with Cain and Abel is illustrated with the image of a knight from verse #6 (which is omitted).
Mermet and Méray only supply us with the text, and thus cannot help us with the images.
The biggest difference is that in three cases the verse with Death is numbered #1 (which is also most logical). The funny thing is that all three cases are from books with several sequences, so you could discuss whether Death ends one or begins the other. However, this would mean that the image would come after Judgment Day (#25), which would still be a departure from the "normal" sequence.
Verses 9½ and 21 are quite rare. Oddly enough, no single book contains both verses.
The table reveals a secret not even known by the owners: The copies in Rennes (Rés. 15483) and the National library of Romania (CS-XVI-II-212 ) er identical. The copy in Romania lacks a few pages in the beginning (including the calendars), but the colophon at the end is the same. In the same way, the copies Poitiers CR 49 and UCM (Universidad Complutense Madrid) are also identical.
Mary Beth Winn describes two other copies in "Gathering the Borders in Hardouyn's Hours". I haven't included those two because Winn does not list both text and pictures. Among the facts can be mentioned that the first copy (Lesoufache 392) is missing 4 of the images, and some of the texts have been used with different woodcuts (e.g. the verse that begins »Dieu plusieurs foys« is illustrated with the cut of Cain & Abel).
In contrast there is a great variation in how the images have been combined with the texts. In particular, only few books contain image 23.

The present page expounds on the sequence of La Vie de l'Homme.
The next subject is The apple of Death.