Marginal thinking: 10. English prayers
Nicolas Higman / François Regnault:
Jesus being presented in the temple.
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Book of Common Prayer
"Symeon at Crystes cyrcuncision
These wordes unto the iewes dyde tell
Myn eyen beholdeth your redempcyon
The lyght and glory of ysraell.
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The Parisian publishers had great success,
and as we've already seen they published translations in Latin, Spanish and Dutch.
The books were also published in English. The
Royal Danish Library displays a copy
published by Antoine Vérard in 1505 (see external link).
The printer has had great problems, not just with the spelling, but
also with the "foreign" letters W and K,
which seems to have been in limited supply.
Therefore he has been forced to be creative and has replaced the W with two V's,
while the K has been replaced by
a combination of a lowercase l and a rotunda-r (lꝛ).
The picture to the left is a book of hours by Nicolas Higman and François Regnault in Latin from 1519.
The picture to the right is an English version for the use of Sarum / Salisbury.
As the text to the right shows, the English books as well as the French
had a habit of conflating the circumcision of Jesus
("Crystes cyrcuncision") with the presentation in the temple.
Lord and knight
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Esquire and gentleman
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When it comes to dances of death, the record goes to the books of prayers
published by John and Richard Daye:
»A Booke of Christian Prayers, Collected Out of the Ancient Writers«.
The dance of death starts together with the psalms of David,
and as the pictures to the left and right show,
there's nothing like a few skeletons above and on both sides to spiffy up
the old psalms.
The story in short is
that John Daye (ca. 1522 - 1584) published Queen Elizabeth's book of prayers in 1559,
and later on his son Richard (1552 - before 1607) used
the same material for several editions.
The picture on the left shows the structure:
In the margin are the two dancers. In this case
lord
and
knight,
who each receive a summons from Death:
»Come lordings all: daunce at my call« and
»Goe hence sir knight: tis almost night«.
Below the body text is a horizontal image of a corpse / skeleton lying on a coffin,
and a little verse about the same two dancers:
»We Lords and Knights of late : now lie in low estate«.
In the example on the right it is
esquire
(»Esquire the braue: it bootes not to craue«) and
gentleman
(»Lustie, or sad; Thou must be had«).
The skeleton in the horizontal image says:
»Behold the Squire as in a glas: (i.e. a mirror) for as thou art, so he was«.
At a glance the figures are reminiscent of those of Thielman Kerver
but there are more of them, while the Catholic figures such as pope, cardinal, patriarch
and sundry monks are missing.
There are quite a few women, but most of them are just the wife of this or that man.
In Simon Vostre's dance it is an open question whether e.g.
la bourgoise,
la marchande or
la bergere
had their own independent titles, or simply "borrowed" their husbands',
but no doubt is possbile in the English books, where the same three women are called
citizen's wife,
merchant's wife and
shepherd's wife.
The series is presented here twice:
First, a modern facsimile from 1853 with slightly modernized language.
The woodcuts are by Mary Byfield (1795-1871), who together with her older brother, John,
created the very famous copies of Holbein's Dance of Death,
that was published by Francis Douce.
These copies of Richard Daye's prayer-book are considered to be her masterpiece.(1)
The other is an original edition from 1590.
I have typed out the text over each image.
Click any person to jump into the dance.
Next we'll take a look at a totally different tradition.
John and Richard Daye's dancers
Emperor
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King
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Duke
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Marquis
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Baron
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Viscount
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Archbishop
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Bishop
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Doctor
|
Preacher
|
Lord
|
Knight
|
Esquire
|
Gentleman
|
Judge
|
Justice
|
Sergeant at law
|
Attorney
|
Mayor
|
Sheriff
|
Bailiff
|
Constable
|
Physician
|
Astronomer
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Herald
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Sergeant at arms
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Trumpeter
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Pursuivant
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Drummer
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Fife
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Captain
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Soldier
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Merchant
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Citizen
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Printers
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Rich man
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Aged man
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Artificer
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Husbandman
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Musicians
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Shepherd
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Fool
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Beggar
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Rogue
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Of youth
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Infancy
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Empress
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Queen
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Princess
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Duchess
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Countess
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Viscountess
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Baroness
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Lady
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Judge's wife
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Lawyer's wife
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Gentlewoman
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Alderman's wife
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Merchant's wife
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Citizen's wife
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Rich man's wife
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Young woman
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Maid
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Damoiselle
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Farmer's wife
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Husbandman's wife
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Countrywoman
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Nurse
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Shepherd's wife
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Aged woman
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Cripple
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Poor woman
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Infant
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Fool
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Mohammed
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Prayer 113
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Prayer 114
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Physician
|
Emperor
|
King
|
Duke
|
Marquis
|
Baron
|
Viscount
|
Archbishop
|
Bishop
|
Doctor
|
Preacher
|
Lord
|
Knight
|
Esquire
|
Gentleman
|
Judge
|
Justice
|
Sergeant at law
|
Attorney
|
Mayor
|
Sheriff
|
Bailiff
|
Constable
|
Physician
|
Astronomer
|
Herald
|
Sergeant at arms
|
Trumpeter
|
Pursuivant
|
Drummer
|
Fife
|
Captain
|
Soldier
|
Merchant
|
Citizen
|
Printers
|
Rich man
|
Aged man
|
Artificer
|
Husbandman
|
Musicians
|
Shepherd
|
Fool
|
Beggar
|
Rogue
|
Of youth
|
Infancy
|
Empress
|
Queen
|
Princess
|
Duchess
|
Countess
|
Viscountess
|
Baroness
|
Lady
|
Judge's wife
|
Lawyer's wife
|
Gentlewoman
|
Alderman's wife
|
Merchant's wife
|
Citizen's wife
|
Rich man's wife
|
Young woman
|
Maid
|
Damoiselle
|
Farmer's wife
|
Husbandman's wife
|
Countrywoman
|
Nurse
|
Shepherd's wife
|
Aged woman
|
Cripple
|
Poor woman
|
Infant
|
Fool
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External links
Footnotes:
(1)
Pickering's 1853 edition of Queen Elizabeth's Prayer Book of
1569 (p. 17) was perhaps Mary Byfield's masterpiece, and every page
contains her work; she cut over a hundred blocks for it, mostly based on
the designs of Holbein, Dürer, Tory and others. The cuts harmonize
perfectly with the type (which is Caslon) and this small volume (of
which some copies were printed on vellum) is a triumph of printing as
well as of illustration and typography.
(Ruari McLean, Victorian book design and colour printing, 1972, page 12)
The dance of death
Marginals
Richard Day