Astrologer Merchant

 
Rich man / miser  
 

The Rich Man / The Miser

Gross-Basel, the Miser
Groß-Basel, the Miser on the field.
Haselbach, the Miser
Haselbach, the Miser

T he miser seems to be more agitated over losing his money, than over being visited by Death. The hourglass has been set in front of him, and his candle has burned down.

Here, Holbein distinctly breaks with the old tradition: In the dance of death in Basel, the miser also sits behind a table. However, the blades of grass and the clods of earth show clearly that the scene takes place outdoor - together with the other dancers. In Holbein's version, the miser has moved indoor, but thick walls and double bars cannot keep this thief out.

Holbein's woodcut has inspired the dance of death in the chapel in Haselbach (picture to the right).

Variations: Birckmann has placed the hourglass in the recess on the wall. The recess is made taller. Valvasor, Hollar and Deuchar copies Birckmann.
Birckmann also designs a hole in the floor (copied by Valvasor and Hollar) — maybe Death has dug his way up?

Holbein's Imagines Mortis: Rich man / miser
Les Simulachres (1538)
Vogtherr 1544: Rich man / miser
Vogtherr (1544)
Birckmann 1555: Rich man / miser
Birckmann (1555)
Scharffenberg 1578: Rich man / miser
Scharffenberg (1578)
Eberhard Kieser imaginibus: Rich man / miser
Eberhard Kieser (1617)
Hollar 1651: Rich man / miser
Hollar (1651)
Theatrum mortis humanae tripartitum: Rich man / miser
Valvasor (1682)
Mechel 1780: Rich man / miser
Mechel (1780)
Deuchar 1788: Rich man / miser
Deuchar (1788)

Astrologer Merchant Up to Holbein's great dance of death