Queen Duke

 
Bishop  
 

The Bishop

Holbein: Moses and the burning bush
Moses and the burning bush
Dance of death in Chur
The dance of death in Chur

A s the sun sets, Death drags the bishop away. The bishop's crosier is a shepherd's crook, men apparently the bishop is a bad shepherd, since the sheep as well as the congregation are running bewildered around.

The alternative interpretation is that the sheep and the congregation are lost because Death has taken their shepherd away. This interpretation is supported by the Bible quote that the publisher has placed above the picture — Matthew 26:31, »[…] I will smite the shepherd, and the sheep of the flock shall be scattered abroad«.

The sheep are the same as those on Holbein's woodcut from The Old Testament (picture to the left).

Holbein's dance of death has also inspired the dance of death in Chur in Switzerland - see picture to the right.

Variations: Aldegrever as usually makes a free interpretation and Eberhard Kieser copies Aldegrever.
Scharffenberg forgets to draw humans and sheep in the background.
Vogtherr places the sun in the middle of the picture close to a village and "forgets" to draw the hourglass.

The print of the bishop is the one that clearest show who copies whom. Holbein lets sun set over a hilltop. Birckmann lets — presumably — the sun set over a lake, but the mirror image is all wrong. Valvasor copies Birckmann with the bad mirror image. Hollar copies Birckmann but fixes the image so the mirror image is bigger and placed correctly. Deuchar copies Hollar with the correct mirror image. In 1816 the worn-down plates for Hollar's etchings are "freshened up", and faces are added to the suns. Wildridge copies the two suns with their faces, so it's no longer apparent that it's supposed to be a mirror image in a lake.

The confusion is total. Small wonder the congregation are running bewildered away.

The bishop The bishop The bishop The bishop The bishop The bishop The bishop
Holbein (original): The sun over the hill Birckmann (mirrored) adds a little sun in the lake Valvasor copies the little sun Hollar makes the sun look like a real mirror reflection Deuchar (mirrored) copies Hollar Hollar 1816 is "improved", so the suns get faces Wildridge copies the "improved" etching with faces

Various Artists

Holbein 1538: Bishop
Holbein (1538)
Aldegrever 1541: Bishop
Aldegrever (1541)
Vogtherr 1544: Bishop
Vogtherr (1544)
Birckmann 1555: Bishop
Birckmann (1555)
Scharffenberg 1576: Bishop
Scharffenberg (1576)
Kieser 1617: Bishop
Kieser (1617)
Hollar 1651: Bishop
Hollar (1651)
Valvasor 1682: Bishop
Valvasor (1682)
Mechel 1780: Bishop
Mechel (1780)
Deuchar 1788: Bishop
Deuchar (1788)
Bewick 1789: Bishop
Bewick (1789)
Anderson 1810: Bishop
Anderson (1810)
Hollar (colour) 1816: Bishop
Hollar (colour) (1816)
Pseudo-Bewick 1825: Bishop
Pseudo-Bewick (1825)
Bechstein 1831: Bishop
Bechstein (1831)
Schlotthauer 1832: Bishop
Schlotthauer (1832)
Douce 1833: Bishop
Douce (1833)
Wildridge 1887: Bishop
Wildridge (1887)

Queen Duke Up to Holbein's great dance of death