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| Death to the abbot | |
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der todt, |
Death. |
| The abbot | |
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der Abbt. |
the Abbot. |
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In the correct order (see the start of this section) the abbot is the sixth scene. So we are still on the top shelf of society, where Death addresses his victims with Mr. and Mrs. (»Herr Abbt«), and Death uses the polite plural (»seit ihr« instead of "bist du").
The text does not have many similarities with the abbot in Basel except for the request to put away staff and miter. The word is "Infel", denoting the headdress of a bishop or abbot. The word goes back to Latin, "infula".
The abbot's miter has fallen to the ground. If Merian's engraving (left) is to be believed, Death himself had donned a bishop's miter in Basel, but he did not have one in Büchel's watercolours, so that detail must be Merian's free imagination.
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The abbot is almost certainly Matthias Schober who for 27 years was an abbot of the Benedictine monastery Sankt Mang in Füssen and who had commissioned this dance of death. Schober died in 1604, two years after the completion of the painting.
In this Catholic dance, the abbot and the other clergy are presented in a good light, and his last thought goes to the monastery: »Gott bhuet mein Kloster ich far dahin«. In Basel, these closing words were reserved for the last dancer, the painter: »Behüt euch GOtt ich fahr darvon«.
Footnotes: (1)