The Abbot

 
Basel's dance of death, The abbot  
 
Todt zum Apt:
HErr Apt ich zieh euch die Yfflen ab,
Deßhalb nutzt euch nicht mehr der Stab:
Sind ihr g'wesen ein guter Hirt
Hie ewrer Schaff, die Ehr euch wird.
Death to The Abbot
Mr. Abbot, I'm pulling your cap off.
Therefore your staff no longer avails you.
Have you been a good shepherd
for your sheep here, [then] the honour will be yours.
 
Der Apt:
ICh hab mich alß ein Apt erhebt,
Und lang in hohen Ehren g'lebt:
Auch satzt sich niemand wider mich,
Dennoch bin ich dem Todt geleich.
The Abbot.
I have raised myself [above the crowd] as an abbot
and lived long in high honour.
And there was nobody who opposed me.
Yet I'm Death's equal.

Klein-Basel, abbot
Klein-Basel, Abbot.
Line drawing after Büchel
Großbasel, abbot
Groß-Basel, Abbot.
Etching after Büchel
Death threathens to pull of the bishop's cap — like he does with the mother, the councilman and the peasant.

Death uses the word "Yfflen". The cap kan be spelled yfelen, ynfel, infel, inful etc., and the word goes back to Latin, "infula".

By the way, the verb "Infeln" means to put on a cap - i.e. to install a bishop/abbot in his office. Death is in the process of doing the exact opposite.

The strange part is that according to Merian's copperplates (above) Death himself wears a bishop's mitra. Death wasn't wearing a mitra in Kleinbasel (picture to the left), and he didn't do it in Basel when Büchel made his watercolours in 1773 (picture to the right).

The bishop's mitra was evidently a product of Merian's imagination.


Up to Basel's dance of death